tuque /tūk/ n Canadian English, var. toque [19th c. Canadian French, from the French toque, from the Basque tauka] 1 A close-fitting knitted cap, often with a long tapering end or tassel or pompom. 2 fig Something quintessentially Canadian.
souq /sūk/ n from the Arabic سوق var. souk 1 An open-air marketplace. 2 fig A central meeting place for the circulation of news and ideas.
Showing posts with label Magazines. Show all posts
Showing posts with label Magazines. Show all posts

Wednesday, September 5, 2012

New eBook from the National Magazine Awards

This summer I helped develop and edit an eBook anthology for the National Magazine Awards Foundation. The result--Best in Magazines 2007-2012--is, I think, quite a page turner, and it's available completely free via the iTunes app store exclusively for iPad users.

The collection includes more than 30 award-winning stories, covers and photography/ illustration collections: 4 of the top winners from this year's National Magazine Awards, and the rest collected from among the best of the past 5 years.

You can download the app directly to your iPad here and read more about it on the NMAF site here.

One of the most striking elements of the collection is that each individual piece maintains the look and feel of its original publication (The Walrus, Explore, This Magazine, Maisonneuve, etc), while the platform allows for some dynamic interface with the content. It's an example of where digital magazine publishing is now, and a set of ideas as to where it may go in the near future.

The portability of the content is the other great feature. The NMAF maintains an online archive where most of the finalists and winners from the past 5 years are available for free download in PDF format. The eBook is, in part, a repackaging of that archival content in a more user-friendly platform, one that travels well as both an educational tool and a leisure pursuit.

Finally, it's a great way to extend the naturally long life of quality magazine content, as well as to promote those writers, artists and publications who produce it. Readers, I'm sure, will find themselves introduced to new mags, writers, photographers and illustrators that they might not otherwise have encountered.

Unfortunately, for now this eBook is only available to iPad users (not other eBook and ePub platforms), which is as far as our resources could stretch in the initial development. The hope is that this is the start of something bigger, both for the NMAF and for Canadian digital magazine publishing.

If you have any comments or feedback on the eBook, post them here or send them to me at
richard.johnson[at]magazine-awards.com.


Wednesday, July 18, 2012

Summer Travel Reading, from the NMA Archives

A friend dropped us a note recently from his travels in Austria: “I never imagined this place would be so stimulating: the mountains, the gardens, the café life; even the stodgy old Habsburg homes have some life to them.”


It’s summer, deep summer, which means most of us are either travelling or dreaming of travelling. We of the latter shade perhaps are undertaking dozens of vicarious journeys on Facebook and Pinterest. And whether we’re actually on the road or just imaginarily so, we like our travel reading: none better than the collection of award-winning travel stories at the National Magazine Awards Archive.
A few suggestions for your summer pleasures and days:
The Big Blue” by Charles Wilkins, explore (2011 Gold winner in Travel)
Sixteen brave souls, one uniquely engineered rowboat, 5000 kilometres of open ocean. The author–the unsinkable Charles Wilkins, admittedly not the youngest or fittest of oarsmen–spent 18 months training for this record-breaking attempt to cross the Atlantic from Morocco to Barbados without the aid of sail or motor. This blogger felt almost guilty reading of this adventure from the comfort of a Toronto patio, as Wilkins dispatched:
“I was cold, I was exhausted, I was starved… What’s more, I had been beaten up–slapped around by waves that sometime before midnight had started coming hard out of the east onto our port flank… At one point, when for the briefest of moments my focus had lapsed (my brain having detoured into fantasies of my former life as a human being), an uncooperative wave had snatched my oar, driving the handle into my chest, pinning me with savage efficiency against the bulkhead that defined the prow end of the rowing trench.” [Read more]
Walking the Way” by Timothy Taylor, The Walrus (2009 Gold winner in Travel)
A fixture of bucket lists for centuries, Spain’s Santiago de Compostela pilgrimage trail seems, by the grace of those who walk it, an uneven plane of surrealism, uniting disparate senses of faith and devotion on a single, very literal path. And few writers put pen to trail as evocatively as Timothy Taylor:
“Nobody talks about religion, faith, metaphysics… Nobody says, because not long ago at a party I got into a drunken argument about philosophical materialism–the belief that the only thing that exists is physical matter–and found myself yelling at a woman, ‘Then why are we here? Why are youhere?’ Nobody would admit to that. To losing it. To getting belligerent over the possibility of transcendence. Nobody would admit that, because it would indicate that you somehow needed to walk 800 kilometres across Spain.” [Read more]
St. Petersburg the Great” by Noah Richler, enRoute (2008 Gold winner in Travel)
A mindful travelogue in the modern mold–a studious writer eager to discover what lies beneath; a photographer (Robert Lemermeyer) with a keen sense of place–it satisfies both the memories of those who’ve already been there and the desires of we who long to go. Not just restaurants–ingredients. Not just vodka–conversation. (Not just English–bilingual; it’s enRoute after all.) Richler keeps the reader at his elbow:
“In St. Petersburg, the noteworthy is either tawdry or a few steps underground or magnificent and palatial beyond imagining. It is as if Peter’s lofty dream and the lowly serfdom that made it possible persist in the soul of the city because neither ever existed without the other.” [Read more]
Read these travel stories and more at the National Magazine Awards archive: magazine-awards.com/archive
[Cross posted with the Magazine Awards blog]

More summer reading from the National Magazine Awards: Essays | Sports & Recreation

Friday, May 25, 2012

The Fine Art of Magazine Cover Virality

When did we all become so completely obsessed with magazine covers?

It seems none of us can get enough suggestive poses, egregious photoshopping, bold breastfeeding, Zuckerberg hate-ons, Demi rip-offs or wholesome conservative cleavage (not exactly Maxim is it?).

Indeed, this recent AdWeek retrospective of arresting magazine covers is mostly T&A, and no where does it suggest that you actually read these mags.

The new cover of Foreign Policy, a so-called Sex Issue (wait, wasn't this issue sexy enough?) would be an arrestable offence in many countries (which is essentially the point of author Mona Eltahawy's cover story).

The recent Cover of the Year winner at the American National Magazine Awards? Yup, not exactly Martha Stewart Living.

There's even more to the cover craze: covers that didn't make it to print but we still want to go viral; covers that exploit your infatuation with non-print media; covers that test your capacity for irony, and covers that suggest a certain someone is gee-ay-why.

(Before being outed Obama was also a tiny-headed Jewish Mullah Rodin sculpture.)

There are even covers that aren't even covers yet, hence this masterful mash-up of future magazine covers from New York magazine.

And then there are covers that circumvent breasts and rainbows and go to right to subliminal messaging for a certain Canadian Prairie town (suck it, Winnipeg!).

What do all these covers have in common? They appear to be based on the idea that going viral (which all these covers have to varying degrees, except those Martha Stewart eggs) is the best way to sell a magazine brand, if not an actual magazine.

And you know what? It works. Will you ever forget the images of breast-munching chair-boy or body-paint burqa, even after Twitter has short-circuited your temporal lobe? No. Will you actually believe the American president is a homosexual when you pull his lever in November? Maybe.

Will you remember that these covers stood in for forward-thinking social debates on post-feminist parenting, post-nationalist feminism and post-stupidity human rights? Probably not. But then, you (and I) probably hadn't read the issue by the time you helped its cover go viral.

Hooray for the new magazine model: look, but don't touch!

Oh, and while I've got you panting for magazines, check out the Best Cover nominees for the Canadian National Magazine Awards. The winner will be announced June 7.

Wednesday, April 25, 2012

Memorable Mag Covers: Maisonneuve's Crème brûlée

It's May 1 that the Canadian National Magazine Awards will reveal the nominees for the 35th anniversary awards. Counting down the days till the announcement, they're showcasing some of the cool creative from the past few years. One award we never tire of reviewing: Magazine Covers.
 

This one, which can best be described as "spacemen walking on crème brûlée" from Maisonneuve, was the 2007 winner for best magazine cover in Canada. View more here.
 


Wednesday, April 11, 2012

Saturday Evening Post Ads, 1968

Few of us were alive and/or cognizant during the glory era of The Saturday Evening Post, the bedrock of the American magazine publishing establishment from, say, 1903 (when the mag famously introduced readers to Jack London's The Call of the Wild in serialized form) until 1969 (when a defamation lawsuit shuttered the publication, if temporarily). While the Post re-emerged in 1971 and has continued to exist in various forms since, it's more homage to its former grandiosity than it is vanguard of the magazine institution.

That said, the Post's innate aura of nostalgia (Norman Rockwell aside, please) draws one to its yellowing pages even today, and one can't help but breathe musty fumes of historical embers from one page to the next in, for example, the April 20, 1968 issue which I happened upon recently.

Most remarkable for a condensation of the grandiloquent Canadian-born economist and statesman John Kenneth Galbraith's novel The Triumph and a cover story on how America's police were honing their crowd-busting skills in the midst of the race riots of the Civil Rights era, one also finds comfort in the now-quaint historicity of its ads. To wit:

Ah, the Record-Club trap. Sure, you can get Sinatra for 99 cents. Then Dean Martin will cost you more.

This image tugs on more heart strings than you knew you had.

What happened to the guy who thought it was a good idea to print "Pay More" in size-144 font?

A 1968 ad that refers to 1907 as the good old days. Ah, the good old days.

These fictional barkeeping ballplayers are now a huge draw on eBay.

Click here to view the full album of 29 bourbon-shilling, muscle-car-bragging, cigarette-filter-innovation-boasting ads from the April 20, 1968 issue of The Saturday Evening Post.

Saturday, March 24, 2012

Newsweek's Mad Men issue dons 60s homage ads

Ahead of this weekend's long-awaited restart of the hit AMC television series Mad Men, America's perennially ho-hum, middle-class mouthpiece Newsweek is hooking newsstand readers with a Draperesque issue featuring retro advertising creative inspired by the fictional firm SCDP and the show's maddeningly addictive 1960s-era pop style.

This hopefully one-time-only (please don't spark a fad) collection of blissed-out, gender-normative magazine ads puts the fun in advertising fundamentalism; they're worth a look and a re-look, perhaps alongside a reading of the wonderful Harper's essay "The False Nostalgia of Mad Men" by Jenny Diski from the January Jones issue.

From the psychedelic "The Spam Who Shagged Me" page to the erect Johnston & Murphy ad and the all-the-right-props Uprising piece, these homages are as priceless as Peggy's glass-ceiling tantrums, as tasteless as a Patio commercial, and almost as historically accurate Cooper's infamous "slippery slope" line.

Great move by the magazine: It's Don Draper's rye-soaked train wreck, and we can't look away.



You can view all the ads here and vote for your favourite. 
(Tip 'o the hat to the Magazines Canada blog.)

Thursday, January 26, 2012

'Off the Page' interview series launches on the Magazine Awards blog

A special note from the Department of Blogger Self Reference (Non-Egregious Division): The Magazine Awards blog (the official blog of the National Magazine Awards Foundation) earlier this month debuted a weekly interview series called "Off the Page."
Off the Page is an exclusive new series produced by the NMAF that reaches out to former National Magazine Award winners to find out what their awards have meant to them and what they’re up to now. Off the Page will appear regularly on the NMA blog during the winter and spring of 2012.

The interview series is underway, with profiles of National Magazine Award-winning writers Carol Shaben, Jeremy Klaszus and Alex Leslie, plus illustrator Roxanna Bikadoroff. I happen to know that in the coming weeks they'll be catching up with an intrepid Canadian photojournalist, a young Toronto writer with a "hot" new book, plus a fantastic Quebec journalist in a special interview to be presented en forme bilingue.

Your humble Tuque Souq blogger is the author of said Magazine Awards blog, in my capacity as contract Special Projects Manager of the NMAF. Thus I whole-heartedly endorse your clicking over immediately and introducing yourself to "Off the Page" and the Magazine Awards blog.

Monday, January 9, 2012

Life Magazine Ads: Year in Pictures 1988

Chanced upon a copy of Life magazine's "Year in Pictures 1988" (published January 1989). Aside from all the coverage of some guy named Dukakis were these spectacular advertisements from the days of yore:







See the full gallery of thirty ads from Life's "Year in Pictures 1988"

Thursday, June 30, 2011

Bill Moyers reads Magazines Upside-Down

"Lying in bed at night, reading. Magazines mostly. It's amazing how many places you can go with a stack of magazines while flat on your back."



--Bill Moyers, quoted in the July 2011 issue of Vanity Fair, in the back-of-book Proust Questionnaire; asked what his favourite occupation is. The veteran American journo also professes his love for Dr. Seuss, Steinbeck and his Peace Corps days. Seems to have the important things in life sorted out.

Thursday, June 23, 2011

Brain-Eating Zombie Fungus is Selfish SOB

"Tropical carpenter ants who are zombified by brain fungus are thereafter compelled, at solar noon, to latch on to the main vein on the underside of a leaf, readying them for death in a spot ideally suited to the fungus's well-being."
--Harper's magazine, "Findings"; July 2011
 

This is simply a fantastic sentence. And its subject matter reminds one of the spectacular clip of the ant-eating brain fungus from the Planet Earth series. 

(Left
: A mature brain fungus clings to a tree. And to think, it all started with one brainy ant.)

And with that, I'm finally caught up on six months' worth of Harper's

Saturday, June 11, 2011

Behind the Scenes at the 34th National Magazine Awards

Last night Canadian magaziners feted themselves with due and tasteful pomp at the annual National Magazine Awards.

For my multi-pronged role* as the NMA show stage manager, program editor, script composer and ticket-queue improv greeter, I was rewarded with backstage access which, coupled with the sobriety that outlasted most others in attendance, has yielded a few memorable impressions of the soiree.


Jacqueline Hennessy absolutely rocked the MC gig, employing the best kind of wit for this crowd (the succinct, self-deprecating kind; and all the funny bits were of her, not my, writing).

And she ran the tightest show on the NMA stage perhaps since Pierre Berton brandished a cane
and aimed it at anyone who got within 10 feet of the podium to attempt a thank-you speech.

Sunday, June 5, 2011

Magazine Week in Canada



What's better than a warm spring afternoon in the park? How about a warm spring afternoon in the park with a large stack of magazines that has been quietly, patiently yet doubtless eagerly awaiting my return from India.

And what beats the heck out of that? Having a [part-time*] job that encourages one to spend his afternoon in the park reading a large stack of magazines.

Sunday, January 31, 2010

Maher Arar launches new online magazine

Maher Arar--the Canadian citizen of Syrian origin who was once extraordinarily renditioned by the United States with Canadian complicity, jailed and tortured for 10 months in Syria, and then fully exonerated by a Canadian judicial inquiry which found that the RCMP not only was complicit in misidentifiying him as an al-Qaida-linked terrorist but also engaged in a conspiracy with Canadian intelligence officials to cover up some of the truth of how Arar was sent to be tortured in a foreign land--has started his own online magazine.

PRISM Magazine is a new not-for-profit venture that Arar has developed for a general Canadian audience, focusing on issues of National Security, Human Rights and International Law.*

Among the features in the launch issue of the online publication:
According to an article in Global Winnipeg, Arar chose the name PRISM because it "is something that takes one type of light and defuses into many lights, emphasizing the analyses. Prism means transparency, too. That's the kind of impression we want to portray."

Coincidentally, "Project Prism" is the code-name of a recently revealed and continuing RCMP investigation, started in 2006, into whether charges against Canadian officials were warranted in the Arar case. One official reportedly questioned was retired Canadian diplomat Gar Pardy, one of PRISM's new regular contributors.

[Tip o' the hat to Canadian Magazines blog]

* - Arar's PRISM is not to be confused with another similarly titled publication, Prism International magazine, the fifty-year-old quarterly literary magazine published by the University of British Columbia.)

Monday, September 28, 2009

Walrus tackles Al-Jazeera, gently

On newsstands at this very moment, The Walrus magazine is profiling the much-maligned Al-Jazeera English (AJE) satellite news channel with a chronicle of the network's trials to become a big boy of global English-language media. The article, "The Most Hated Name in News," is by National Magazine Award-winning writer Deborah Campbell.

It's definitely worth a read if you haven't followed AJE's ordeal to get past the CRTC and other skeptics in Canada.

Favourite quote of the article: "Citizen journalism is like citizen dentistry."

Favourite insinuation that North American news media is a black hole: That if only AJE could break into the North American market its only rival on the global stage would be BBC World, which ironically is barely available in the North American market.

However, the article may leave the reader wanting for more than a peripheral glimpse of AJE.

For example, the article's central character is described as launching "a kind of pre-emptive strike to address concerns about AJE as it applied for a broadcast license from the CRTC." What were those concerns? The article later implies that it was completely due to perceptions of an anti-Israel bias. Makes sense, but where's the proof?

The CRTC's guidelines for issuing a license to a non-Canadian media outlet includes the following:
"Absent clear evidence, as determined by the Commission, that a non-Canadian news service would violate Canadian regulations, such as those regarding abusive comment, the Commission will be predisposed to authorize non-Canadian news services for distribution in Canada."

This was not cited in the article, to its detriment. Has anyone chronicled "abusive comment" by AJE? Did anyone besides pro-Israel groups protest? How has the CRTC engaged each side of the debate?

Regrettably, the article also misses the opportunity to address another burning question: what is the relationship between Al Jazeera English and Al Jazeera Arabic? Is there different content and approach to news? Are critics lambasting AJE for what AJA does in its reporting? The CRTC approved AJA in 2004 and has been monitoring it ever since--what has it found? Is AJA a hate-mongerer, or are its Canadian critics merely Arabophobes?

80% of the important info in the Walrus article--including the same interviewees--can be found in this April Globe and Mail article, at one-tenth the word count.

Give us more, oh Walrus. Tackle harder.*

In related news, the article did pique the Tuque Souq's interest on at least one other peripheral topic: Why the hell is Al-Jazeera banned in Tunisia? This new article from the Committee to Protect Journalists explains the ongoing war between AJA and the otherwise happy-go-luckiers of Tunisia.

Also, in almost totally unrelated news, the new Walrus issue also has a great piece on the making of Just for Laughs gags. They really never get old!

* The Tuque Souq recommends supporting The Walrus (and lots of other Canadian magazines) by taking out a subscription for you and your loved ones, so the Walrus can give us more.

Tuesday, June 2, 2009

National Magazine Awards gala is Friday

This Friday, Canadian magazines will win awards. Guaranteed! The 32nd annual National Magazine Awards gala is June 5. I'll be there.*

Earlier we took a look at 4 Middle East-related articles up for awards this year. Should victory transpire, they'll grab a place in history alongside these other recent NMA winners covering the Middle East:

Last year (the 2007 awards) George Jonas won a Gold award in the Essays category for his 7,600-word, um, essay/saga: "Meditations on Israel" published in Queen's Quarterly. I tried to get through it and failed. Obviously the judges fared better. (I've linked to the article on Jonas's personal website; if you can find the original QQ publication, there are some nice accompanying photographs.)

In 2006, Deborah Campbell won a Gold and a Silver award for "Iran's Quiet Revolution" in The Walrus... fantastic piece on the fabric of Iranian society just as the nuclear issue was first heating up (pun intended). The same year, George Jonas (again) won a Gold award for "The Spielberg Massacre" in Maclean's, in which he ripped the director for messing with his book about the Munich tragedy.

In 2005, it was The Walrus again: A photo essay by Rita Leistner, "Al Rashad"--about an Iraqi psychiatric hospital--won a Gold award in the Words & Pictures category (obviously the captions were great). (Unfortunately the above link doesn't call up the entire photo essay, just the intro.) "The Peace Wager" by Kathy Cook, also in The Walrus, won a Silver award for reporting on the Darfur crisis.

And just so you don't think that every award-winning Canadian magazine article about the Middle East has to be either published in The Walrus or by George Jonas (or in English, for that matter), in 2004 the venerable Michel Vastel won a Gold award for "Ma guerre d'Algérie" in L'actualité, ruminating on the 50th anniversary of the start of the Algerian war for independence, in which Michel Vastel fought. [Find out a bit more on this in the latest Ryerson Review of Journalism's profile of Vastel, who died last year.]

See you at the gala.

* I have to be there; it's the perk of my day job.

Tuesday, April 21, 2009

National Magazine Awards nominations announced

Tonight we found out the nominees for the 32nd annual National Magazine Awards, for which there are 36 categories and 341 total nominees from 79 mags, which gives the impression--I hope true--that this country is flippin' crazy about magazines.*

Among the nominees are at least 4 articles involving Middle East issues:
  • "Iraq's Walking Dead" by Chris Watt in Maisonneuve magazine is nominated in the category Investigative Reporting. It's about Iraqi Kurds and a Kurdish prison in northern Iraq. Chris, a student, is also nominated for the Best Student Writer award for this piece.
  • "The Prince of Little Mogadishu" by Gerald Hannon in Toronto Life is nominated in the Profiles category. (Hannon is hands-down the best magazine profile writer around this town, for those of you who like profiles, which honestly I don't, but I liked this one.) It's a story of K'naan, a Somali refugee-cum-hip-hop-artist. (Clay Stang, who took the photographs for this piece, also got a nomination in the Portrait Photography category.)
  • "York's Middle East War" by Brett Grainger in Toronto Life is nominated in the Society category. I read this article when it first came out and found it a bit sensationalist. But having been involved in campus wars involving Middle East issues for years, my opinion probably matters little here. If you're a Tor Life fan (and really, a magazine's job is to pleasure its readers, not necessarily me), or if unlike me you don't have 20 friends who are grad students at York U, I'm sure you'll find it very insightful.

  • "Liban, les « métiers » du chaos" par Katia Jarjoura dans L'actualité, sur l'équipe de nuit, d'une sorte, au Beyrouth. (Possibly the most interesting article nominated, but it's in French. C'est okay, oui, because all of you are bilingual, non? Like moi, I'm being bilingual maintenant.)
Up for grabs for these and hundreds of other articles: Gold and Silver awards at the 32nd annual National Magazine Awards gala on June 5. Stay tuned.

*Full disclosure: Your humble blogger platoons as the Communications Manager for the National Magazine Awards, so this blog posting is probably 49% utterly shameless promotion of the organization he works for and, more to the point, initiates and tracks the media coverage of. But the other 51% is pure, unaffiliated love for Canadian magazines!

Friday, April 17, 2009

Chop Chop... is Mohamed Kohail next?

For sale: The life of a Canadian citizen on death row in Saudi Arabia. Goes by the name of Mohamed Kohail. Special 2-for-1 sale. Asking price: $5 million.

The article "Chop Chop Square" by Adam St. Patrick in the new issue of The Walrus magazine makes a heavy footprint on the hearts of those following the Kohail case. The author is reporting from... well, I think the title makes that plain. He witnesses a public beheading in Saudi Arabia, and wonders whether Mohamed Kohail will be next on the block.

It may not be long: in the latest serve-and-volley between Saudi courts, a lower court at the request of a higher court upheld its own earlier decision to uphold the death penalty against Mohamed Kohail for his part in the death of a schoolmate. [For more background on this convulution of justice, see our most recent Tuque Souq posting on the Kohail saga. Mohamed's younger brother Sultan Kohail also faces a possible death sentence.]

The Kohail case is a tragic casualty of the seemingly unending war between Saudi jurisprudence and Reason, underscored no more precisely than in Wednesday's Globe and Mail article which laid out the cogent argument that the Kohail brothers are now essentially being held for ransom--blood money--by the victim's family, which has the power to grant clemency.

As Mr. St. Patrick affirms in his article about the Saudi system of capital punishment: "[A]t any time until the sword strikes, a victim’s family can pardon the condemned — usually for a cash settlement of at least two million riyals ($690,000 or so) from the convict or his family."

Except that in the case of the Kohail brothers, the asking price is almost ten times that: $5 million, according to the report in the Globe.

Amnesty International has issued an "urgent action" petition for clemency, indicating that the successful application of swift, direct pressure on Saudi Arabia from the outside--don't bother turning your head, Mr. Prime Minister, we are looking at you--is now the only way to save the Kohails.

Or five million bucks. Hey, why don't we ask some of those folks who are paying off Somali pirates?

Thursday, April 16, 2009

Egypt suspends Poetic License

The Egyptian literary monthly magazine Ibdaa has been suspended over a poem it printed more than 2 years ago, which an Egyptian court deemed blasphemous.

In 2007 the well-known Egyptian poet Helmi Salem (pictured) published a poem called "On the Balcony of Layla Murad" in Ibdaa (Arabic for 'creativity') in which he compares God to a peasant. Apparently after some lengthy deliberation, an Egyptian judge recently declared it both "presumptuous drivel" and "blasphemy" and shut down the magazine.

According to one source the offending verse was: "God is not a policeman, who catches criminals from the back of their neck. He is a villager who feeds the ducks and feels the cow's udders and squeezes them with his fingers and yells: 'Plenty of milk.'"

[Note: this is a translation; I've not been able to find the Arabic to investigate the original parlance.]

What, so the imagery of Allah fondling bovine breasts crosses the line
of permissible poetic license?

Sure, standard interpretations of Islamic law frown on any visual representations of God. But why wait two years to act?

Sunday, March 22, 2009

Somali Pirates prefer microwave dinners to Cordon Bleu

From the current issue of Vanity Fair, an article on the anatomy of the Somali Pirate hijacking of the French cruise boat Le Ponant, authored by Tuque Souq favourite William Langewiesche.* In 2008 a handful of Somali pirates seized Le Ponant and held the boat and its crew of 30 French men and women for ransom. The article, long and wonderfully thorough, is called: "The Pirate Latitudes":
Soon afterward [Captain] Marchesseau’s hopes for the pirates’ imminent departure were dashed when additional gunmen arrived carrying large quantities of cigarettes and supplies, which they began unloading onto the marina platform. The food was crude but not beneath comment by the French. It included disgusting soft drinks, disgusting cooking oils, and cartons of disgusting spaghetti, which spilled onto the deck from a box that split. A bucket contained a full sheep’s worth of disgusting sun-dried meat. It was upsetting. Surely these Somalis realized that a ship like the Ponant would have plenty of its own supplies, and that in terms of cuisine it was not just some average prize.

As if in punishment for this stupidity, one of the pirates then slipped off the marina platform and fell into the wake. He immediately disappeared. Ahmed [the pirate leader] came rushing up the stairs and demanded that Marchesseau maneuver the ship to search for him. The search lasted 15 minutes, until Ahmed called it off. He said the dead man was a hero, and his family would be paid $100,000 for his sacrifice. That sum was probably a brag, but the promise of a payment indicated a level of organization that turned out to be real...

[The Captain] asked, “What do you want?” Ahmed answered, “Money.” It seemed easy enough. These people were not political. They were not terrorists. They were perhaps Muslims, but probably not devout. They were pirates, plain and simple.
[The sun never sets on the pirates at the Tuque Souq Somali Piracy Watch bureau.]

* - I noticed that Langewiesche's bio on the VF site is not only out of date (the Atomic Bazaar book came out a year ago), but it fails to mention his best book (and I've read them all): Sahara Unveiled, in which the author narrates his journey across the desert.

Tuesday, October 28, 2008

Tuque Souq Autumn (Magazine) Reading List

The Tuque Souq is on a mini-holiday until November 3, at which time we'll return - 24 hours before the polls close in the western U.S. - to call the election for Barack Obama well ahead of the liberal elite media as well as the liberal regular media, and Fox News.

In the meantime, we present for your diversion the first-annual Tuque Souq Autumn (Magazine) Reading List: 6 articles from 6 great Canadian magazines to tickle your long-form-journalism fancy. Enjoy.

"Iran's Quiet Revolution," by Deborah Campbell, The Walrus, September 2006.

"Tear Down That Wall," by Sue Ferguson, This Magazine, September-October 2007.

"The Persian Dub," by Abou Farman, Maisonneuve, December 2006.

"Prop Afghanda," by Anthony Fenton, Briarpatch, June-July 2007.

"The Great Game," by Stephen Osborne and Christopher Grabowski, Geist, Spring 2007.

"Jazz and Jihad," by Gilad Atzmon, Adbusters, July 2007.

Happy reading. And support Canadian magazines by buying them, then surreptitiously leaving them behind the next time Stephen Harper invites you over for tea and biscuits and arts bashing.