tuque /tūk/ n Canadian English, var. toque [19th c. Canadian French, from the French toque, from the Basque tauka] 1 A close-fitting knitted cap, often with a long tapering end or tassel or pompom. 2 fig Something quintessentially Canadian.
souq /sūk/ n from the Arabic سوق var. souk 1 An open-air marketplace. 2 fig A central meeting place for the circulation of news and ideas.
Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Friday, September 18, 2009

TIFF tiff doesn't end with Festival's closure

It's been a helluva two weeks for the Toronto International Film Festival (TIFF), what with Colin Farrell knocking up a mermaid, Oprah pushing her weight around, Michael Moore's apparently unintentional irony of buying high/selling low on Capitalism, and Atom Egoyan filming a movie in Toronto that is actually (gasp) set in Toronto.

Woven within what was overall a rather less-than-starry festival (no offense, Bono) was the controversy surrounding TIFF's so-called City-to-City program, which debuted this year with the spotlight on Tel Aviv.

A protest movement led by various film producers, directors, actors and random famous people (along with hordes of anyone-can-fill-out-an-online-petition folks) strongly opposed TIFF's aligning its stars with Israel's largest city. In the midst of it all, a host of very talented and successful Egyptian films were withdrawn from the festival in protest.

The city of Tel Aviv is celebrating its 100th birthday this year (which pretty much makes it the youngest city in the Middle East; nearby Jericho is 10,000 years old). The centuries-old Palestinian city of Jaffa, around and on top of which Tel Aviv was built, is the focus--along with the still-recent Gaza War--of the protesters' lament that TIFF erred in choosing a partner city.

TIFF is standing by its selection of Tel Aviv and is already accepting nominations for next year's City-to-City honoree. Candidates include: Mexico City (built atop the destroyed Aztec civilization's capital Tenochtitlan); New York City (once the home of the Lenape Indians); Damascus (which blighted the ancient Aramaean civilization); Istanbul (which was Constantinople, now it's Istanbul not Constantinople); and Rome (built over the ancient ruins of the civilization of, well, Rome).

Of course, unlike these other historical smack-downs, the Palestine issue is not resolved. The "Brand Israel" campaign--and wouldn't Syria want to develop a "Brand Syria" campaign if the Aramaeans still had a voice today?--seeks in a Toronto marketing initiative to emphasize Israel's softer side, the side very few want to hear about when West Bank settlements are going up every day. Hence, the boycott of Israel's softer side at TIFF.

In related news, the Toronto Palestine Film Festival gets underway later this month. As far as we know, Bono won't be there.

Sunday, February 22, 2009

Big Dance for Waltz with Bashir? [Update: No]

The much-celebrated, must-see animated documentary Waltz with Bashir--an Israeli film by Ari Folman about one man's journey to reconstruct his memory of war--is expected to land the honour of Best Foreign-Language Film at tonight's Oscar bash, the 81st Academy Awards.

On its way to the Oscars, Waltz with Bashir has picked up the U.S. Writer's Guild award for Best Documentary, Best Foreign Film at the Golden Globes, and Best Picture by the U.S. Society of Film Critics (a tough bunch to impress). It also won 6 Israeli Ophir awards (the Israeli Academy Awards).

Despite its surface topic--the Israeli invasion of Lebanon in 1982 and Israel's oversight of the massacres at Sabra and Shatilla--the film was received well and thoughtfully in Israel.

The Tuque Souq enthusiastically gives it 2 thumbs up (though I'm still of two minds about the stylistic decision made at the end of the film, which I won't spoil), and highly recommends pairing the film with the legendary narrative journey into a memory of the Lebanon War, Mahmoud Darwish's Memory for Forgetfulness--a classic and unforgettable book!

Waltz with Bashir is Israeli cinema's eighth nomination for Best Foreign-Language Film; the previous seven all came up short, including Joseph Cedar's Beaufort last year (a film also about the Lebanon War).

Only 1 Arab or Middle Eastern film has ever won even half of this award: the Academy considers Z, the 1969 winner for Best Foreign-Language Film, a French/Algerian film. Algeria has had 3 other nominations. Iran (Children of Heaven; 1998) and Palestine (Paradise Now; 2005) have had 1 each.

[Oscar Update 1: Waltz with Bashir did not win at tonight's Oscars. Um, I hope I didn't jinx it.]

[Oscar Update 2: Yes, Philip Seymour Hoffman was wearing a tuque tonight. More on this development as it develops.]